Hermann Zehnpfundt’s Enge Journal Antiqua, released by the Emil Gursch Foundry, Berlin, in 1910, revived and redesigned.
This font contains also a long s, which can be reached by typing option + b, or turning the round s into the long one by using the OT feature historical forms. It is recommended to also use the OT feature discretionary ligatures to get access to all ligatures in this font.
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Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Mediterra is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic.
Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.
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While Student Council JNL was not influenced by any school activities, the design is based on a lithographed cardboard sign (circa 1930s) for Spizz Sparkling Water, a bottled seltzer from the Dr. Pepper Bottling Company of Lexington, Kentucky.
A squared letterform with angled semi-serifs, this Art Deco typeface grabs attention.
Student Council JNL is available in both regular and oblique versions.
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One of the lettering examples in the 1913 book “Instructions on Modern Show Writing” is a delightful calligraphic alphabet that’s perfect for everything from show cards to invitational notes to names on certificates.
It has been digitally redrawn as Personal Invitation JNL, and is available in both regular and oblique versions.
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Erle Stanley Gardner’s beloved lawyer “Perry Mason” first appeared on screen in a series of six films with Warren Williams starring in four of them. The hand lettered opening title for 1935’s “The Case of the Lucky Legs” is a classic Art Deco sans serif design, and is now available as Courtroom JNL in both regular and oblique versions.
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The hand lettered title for the 1954 film “Power of the Press” was done in a condensed sans serif type style that is now available digitally in both regular and oblique versions as Local News JNL.
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The hand lettered title for the 1954 film “Power of the Press” was done in a condensed sans serif type style that is now available digitally in both regular and oblique versions as Local News JNL.
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A vintage brass stencil for an individual or company named ‘Rodrigues’ was spotted in an online auction.
The hand punched, condensed Roman lettering inspired the digital typeface Nameplate Stencil JNL, which is available in both regular and oblique versions.
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The cover of the 1930s-era “Catalog of Artists’ Materials” from Ernst H. Friedrichs, Inc. (New York) has the words “Artists’ Materials” hand lettered in a stylized Art Deco sans serif type style.
This unique design is now the digital font Art Materials JNL, which is available in both regular and oblique versions.
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The headline across the October 7, 1918 edition of the UK’s Daily Mail stated: "Germany Asks the Allies for Peace".
Set in extrabold sans serif lettering, it’s now available digitally as Tabloid Edition JNL in both regular and oblique versions.
This is another “redrawn from the headlines” typeface from Jeff Levine Fonts.
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The headline across the October 7, 1918 edition of the UK’s Daily Mail stated: "Germany Asks the Allies for Peace".
Set in extrabold sans serif lettering, it’s now available digitally as Tabloid Edition JNL in both regular and oblique versions.
This is another “redrawn from the headlines” typeface from Jeff Levine Fonts.
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In most cases, motion pictures with a Western theme have their titles and credits lettered in type styles that reflect the period of the Old West.
In 1966, the titles and credits for “Texas Across the River” used casual sans serif lettering more suited to the 1960s than a Western taking place in the 1800s.
Nonetheless, the lettering inspired a digital font entitled Adventure Film JNL and it is available in both regular and oblique versions.
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Alacant is a family of slab serif fonts composed of seven weights and their versions in italics. One of the most characteristic advantages of this font is its particularly square shape, very short descenders, open counter-forms and precise kerning that provides a very good visual impact and clear legibility.
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The opening titles and credits of the 1947 film comedy “The Egg and I” were done in a hand lettered casual sans serif typeface which inspired the digital font Egg Farm JNL; available in both regular and oblique versions.
“The Egg and I” introduced audiences to Ma and Pa Kettle as portrayed by Marjorie Main and Percy Kilbride, who went on to do a number of additional films as those characters.
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There is no doubt that the 1941 version of “The Maltese Falcon” was superior to the prior two attempts by Warner Brothers at filming Dashiell Hammett’s 1930 novel.
Sam Spade was perfectly portrayed by Humphrey Bogart, and the supporting cast of Mary Astor, Peter Lorre, Sidney Greenstreet and Elisha Cook, Jr. rounded out the main players in a great suspense film that is considered to be the first (if not one of the first) of the film noir genre.
The title cards for the production and cast credits were hand-lettered in a spurred serif type style strongly reminiscent of the Art Nouveau period, so instead of naming the digital version with some “tough guy detective” moniker, it was decided that Detective Client JNL was more appropriate.
After all, this is a reasonably attractive font, and in this kind of film it’s usually the “attractive damsel in distress” [be she the victim or the actual perpetrator] that gets the story rolling…
Detective Client JNL is available in both regular and oblique versions.
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Aliey is a classy, bold victorian typeface that looks incredible in both large and small settings.
Best used as a display for headings and logos, Aliey's straight lines, tense curves and sharp edges give any project an extra touch of class.
This vintage serif font is stable and confident, and bring the thoughts to an age of gold and marble.
The Aliey family consists of four styles: The two weights Regular and Bold -- and each one as Italic.
The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability.
It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia.
It contains all characters and symbols you'll ever need, including all punctuation and numbers.
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Aliey is a classy, bold victorian typeface that looks incredible in both large and small settings.
Best used as a display for headings and logos, Aliey's straight lines, tense curves and sharp edges give any project an extra touch of class.
This vintage serif font is stable and confident, and bring the thoughts to an age of gold and marble.
The Aliey family consists of four styles: The two weights Regular and Bold -- and each one as Italic.
The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability.
It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia.
It contains all characters and symbols you'll ever need, including all punctuation and numbers.
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Sheet music for the song “The Little Thing You Used to Do” (from the 1935 motion picture “Go into your Dance” starring Al Jolson and Ruby Keeler) had its title set in what closely resembled Bank Gothic Condensed.
[Bank Gothic was originally designed by Morris Fuller Benton for American Type Founders circa 1930.]
This reinterpreted version is now known as Stenographer JNL, and is available in both regular and oblique versions.
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The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.
According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”
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I was watching last episode of Tonight Show with Letterman when I develop NT Tonight Show. My idea, I want to make a font that represent showbiz industry. Voila, here's Tonight Show. A contrast, bold, versatile. With swash and alternate option.
