Valeria Bogdanova

Strives Less script font is a made with brushes and ink. This typeface is ideal for use in thick watercolor designs or handwriting styles, such as blog titles, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, merchandising, and more.

Contains a full set of :

• Uppercase
• Lowercase
• Alternates
• Punctuation
• Numbers
• Multi-lingual support

How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ

Metric is a subtle grotesque 5 weight contemporary sans serif designed to be flexible and versatile. A grotesque with some humanist qualities. What Metric lacks in flair, it makes up for in substance and craft. Metric is rooted in Swiss tradition, with influence from many of the classics, but sitting comfortably somewhere in-between. Familiar but new.

Salve or let's better say Hi to Allrounder Monument, the inscriptional typeface and the second member of the multi-purpose Allrounder Super Family. 

Allrounder Monument was inspired by ancient inscriptions on columns, monuments and buildings in Rome. These letters – being as old as two millennia – radiate their own classic charm and give this ancient touch to every design today – just as Allrounder Monument.

The timeless typeface is ideal for headlines in posters, magazines, cards, etc. If you want an even more spectacular and exciting headline, additional ligatures and a stylistic set provide the necessary power to achieve this goal with ease.

As Allrounder Monument is a part of the Allrounder superfamily, you can easily combine the three weights Book, Regular and Medium with the corresponding weights of Allrounder Grotesk. They both share the same height of the capitals as well as the same color. Mixing type is a piece of cake with the Allrounder Superfamily.

The next member of the Allrounder Collection will be Allrounder Serif, a Renaissance Antiqua loosely based on Granjon. Stay tuned for more.

P.s.: Head over to Allrounder Grotesk and get a value pack for the three accompanying weights Book, Regular and Medium of Allrounder Grotesk.

A heavy serif font with a handmade feel, Walden gives a hearty impression.

Despite its rustic appearance, Walden is perfectly adaptable to contemporary use, wherever a bit more character is needed. Decidedly kept simple, these three weights with matching italics is all you need.

Siena is a luxurious type. A modern contrasted sans serif. Over 25 years in the making, FS Siena is tailor made for high-end brands. Sumptuous, elegant and eclectic, a nonconformist typeface with classical roots. It’s been a long time coming, but with its heady mix of elegance and quirky charm, FS Siena is worth the wait.

FS Benjamin is the London typeface.

Big Ben is the nickname for the Great Bell of the clock at the north end of the Palace of Westminster in London. The origin of the bell’s nickname is open to question; it may be named after Sir Benjamin Hall, who oversaw its installation, or boxing heavyweight champion Benjamin Caunt.

Alvar is a Modernist typeface. A utilitarian headline font inspired by the work of Alvar Aalto. FS Alvar is ideal for display headlines, advertising, and everything that's cool.

FS Sophie is a seductive type.

A stylish shapely face with a spirited character combining beauty, elegance and modernity. Conceived with curvy lines and angled edges for offbeat advertising and publishing.

Kitty is a loving type, a cute headline typeface inspired by the iconic Japanese character. FS Kitty is friendly and cute, great for posters and products, point of sale and sweets!

FS Hackney is an assertive typeface. Square curves and a linear down-to-earth nature create a soft and gentle sans serif typeface. Inspired by the thought “it doesn’t have to be like this” Hackney is meticulously honed to perform in exacting conditions. Refined, assured and very versatile.

FS Silas is an enigmatic typeface.

First impressions are of a functional, multi-purpose typeface with a cool, edgy, angular character. Gaze into its eyes a little longer, though, and you’ll detect a more nuanced, colourful personality, with full, open, satisfyingly squarish forms balancing the abruptness of the sharply-angled terminals and ascenders. Authoritative, official and stern on the outside; amiable and welcoming on the inside.

FS Shepton is a natural typeface.

100% hand-drawn and purposely imperfect, with the kind of inconsistent, organic shapes and textures of signs used in a delicatessen or greengrocers. A series of display fonts for packagaing, advertising and point-of-sale.

FS Shepton offers up three alphabets that are similar in character but each with their own texture and style.

FS Dillon is a rational typeface. Its inspiration came from our exploration of the work and philosophy of the Bauhaus movement of the 1920s and 30s, their pursuit of simple, practical forms. To this we’ve added a thoroughly modern flavour, stark yet warm, imbued with the quirky individuality that has become a Fontsmith signature. The letterforms are simple and direct. Compact, with a large x height, they are built for maximum clarity, economy of space, and impact. But that’s not all. The Bauhaus sought beauty through function – we think we’ve achieved that too.