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Black Borough is brush font, hand-painted with extra attention to quick-strokes and dry textures. Very cool for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. And very easy to make design t-shirts and other products. Very save time in making the design of a product. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support.
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Based upon Emil Rudolf Weiss’ Fraktur, first released in 1913, Emilia Fraktur was redrawn and extended not only with its engraved initial caps but also with various ornaments and border elements.
To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.
The quickest way to the long s is by typing the integral sign.
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Futuristic, modular, blocked, squarish and modernist KayKhosrow font has got 12 versatile styles! The very first non-cursive Arabic/Persian font which also supports Latin characters as well! You're gonna love how all those different styles are gonna work with each other! For your cover designs, posters, logotypes and any typographic projects, you can count on KayKhosrow fonts! There are 12 of them!
Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.
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Introducing, Blink Twice, a unique sans with styled lowercase!
Blink Twice is a modern and stylish font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language.
What you will get:
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Magnekidz is a font that has a metal character, and has a simple look, with many characcters, and multilingual support. better used for band logos, music events, banners, posters, advertising, apparel, and others.
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Aliey is a classy, bold victorian typeface that looks incredible in both large and small settings.
Best used as a display for headings and logos, Aliey's straight lines, tense curves and sharp edges give any project an extra touch of class.
This vintage serif font is stable and confident, and bring the thoughts to an age of gold and marble.
The Aliey family consists of four styles: The two weights Regular and Bold -- and each one as Italic.
The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability.
It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia.
It contains all characters and symbols you'll ever need, including all punctuation and numbers.
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Based upon Emil Rudolf Weiss’ Fraktur, first released in 1913, Emilia Fraktur was redrawn and extended not only with its engraved initial caps but also with various ornaments and border elements.
To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.
The quickest way to the long s is by typing the integral sign.
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Serif typefaces have undergone a constant change over time; this has allowed the emergence of modern shapes that bring expressiveness to each letter, making them fun to use and design.
Milanesa Serif is a typeface family with seven weights that changes the contrast angle in its black version, achieving a particular transition in the different interpolations. Beyond maintaining the traditional canon in a serif, Milanesa plays with a modern concept to impose its versatility in different graphic applications.
Milanesa Serif undergoes a metamorphosis in its weights, intensifying its shapes and varying its counterforms without losing the sense of the typeface family, perfect for versatile uses such as web design, editorial or packaging, among many others.
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Aliey is a classy, bold victorian typeface that looks incredible in both large and small settings.
Best used as a display for headings and logos, Aliey's straight lines, tense curves and sharp edges give any project an extra touch of class.
This vintage serif font is stable and confident, and bring the thoughts to an age of gold and marble.
The Aliey family consists of four styles: The two weights Regular and Bold -- and each one as Italic.
The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability.
It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia.
It contains all characters and symbols you'll ever need, including all punctuation and numbers.
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Based upon Emil Rudolf Weiss’ Fraktur, first released in 1913, Emilia Fraktur was redrawn and extended not only with its engraved initial caps but also with various ornaments and border elements.
To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.
The quickest way to the long s is by typing the integral sign.
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Serif typefaces have undergone a constant change over time; this has allowed the emergence of modern shapes that bring expressiveness to each letter, making them fun to use and design.
Milanesa Serif is a typeface family with seven weights that changes the contrast angle in its black version, achieving a particular transition in the different interpolations. Beyond maintaining the traditional canon in a serif, Milanesa plays with a modern concept to impose its versatility in different graphic applications.
Milanesa Serif undergoes a metamorphosis in its weights, intensifying its shapes and varying its counterforms without losing the sense of the typeface family, perfect for versatile uses such as web design, editorial or packaging, among many others.
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Introducing, Blink Twice, a unique sans with styled lowercase!
Blink Twice is a modern and stylish font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language.
What you will get:
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Textus Receptus is a historical revival based on the Roman and Greek types used by Johann Bebel (and later also Michael Isengrin) in Basel in the 1520s.
The Roman is a low-contrast medium-to-heavy Venetian reminiscent of Jenson or Golden Type. The unusual polytonic Greek, not previously digitized, is lighter in weight and supplied with all the ligatures and variants of the original. Yet when used without historial forms the Greek has a surprisingly contemporary feel: it’s quirky and playful as a display face, but still easily legible in running text.
Bebel’s Greek extended and refined the one used for the first printed Greek New Testament, Desiderius Erasmus’ Novum Instrumentum Omne, published in Basel in 1516 by Johann Froben. The name of the font was chosen in honor of this edition, which was so influential that it was later called the Textus Receptus (the “received text”), serving as the basis for Luther’s German Bible in 1522 and much subsequent scholarship for over 300 years.
Following 16th century practice, Textus Receptus contains 130 ligatures and stylistic alternates for Greek, accessible either with OpenType features or with five stylistic sets. The Greek capitals, often printed bare in early editions, have been equipped with accents and breathings for proper polytonic or monotonic typesetting.
The Roman includes both standard and historical ligatures along with the abbreviations and diacritics typically employed in early printed Latin. For expanded language coverage it has the entire unicode Latin Extended‑A range and part of Latin Extended-B. The capital A is surmounted by a horizontal stroke, as in some 16th century Italian designs, and the hyphen and question mark have both modern and historical form variants.
Mark-to-base positioning correctly renders fifty combining diacritics, and with mark-to-mark positioning the most common diacritics may be stacked, permitting, for example, accents and breathings on top of length-marked vowels. Numerals include old-style, proportional lining and tabular lining.
For further details, please download the 31-page Textus Receptus User Guide.
